P.I.L. (Public Image Ltd) Glasgow, Barrowlands May 14t, 1986 1CD

FFF
Annalisa
Fishing
Poptones
Pretty Vacant
Banging the Door
Flowers Of Romance
Bags
Tie Me To The Length Of That
Round
Home

FFF
Annalisa
Fishing
Poptones
Pretty Vacant
Banging the Door
Flowers Of Romance
Bags
Tie Me To The Length Of That
Round
Home

Last night of the “Hello, I Must Be Going” World Tour
I Don’t Care Anymore
I Cannot Believe It’s True
This Must Be Love
Thru These Walls
You Know What I Mean
The Roof is Leaking
The West Side
Band Intros
Like China->
You Can’t Hurry Love->
It Don’t Matter to Me
In the Air Tonight
Hand In Hand
And So To F
Phil Collins – Vocals / Drums / Piano
Mo Foster – Bass / Piano
Peter Robinson – Keyboards
Daryl Stuermer – Guitar / Bass / Banjo
Chester Thompson – Drums
The Phoenix Horns:
Rhamlee Michael Davis – Trumpet
Michael Harris – Trumpet
Don Myrick – Sax
Louis Satterfield – Trombone

CD ONE:
01 I Don’t Care Anymore 07:35
02 I Cannot Believe It’s True 05:23
03 This Must Be Love 04:32
04 Through These Walls 06:21
05 I Missed Again 03:34
06 Behind The Lines 03:54
07 You Know What I Mean 03:02
08 The Roof Is Leaking 03:30
09 Don’t Let Him Steal Your Heart Away 05:49
CD TWO:
01 Band Introductions 05:12
02 The West Side 06:14
03 In The Air Tonight 06:05
04 Like China 05:32
05 You Can’t Hurry Love 03:35
06 It Don’t Matter To Me 04:23
07 Hand In Hand 10:07
08 …And So To F… 07:01
09 People Get Ready 03:33

Celebration
Four holes in the ground
Paper charms
Dove…quando
Guitar improvisation
Out of the roundabout
Mr. nine till five
Alta loma five till nine
Improvisations
Impressioni di settembre
Celebration (reprise)
Franz Di Cioccio: drums, vocals
Franco Mussida: guitars
Flavio Premoli: keyboards, accordeon, piccolo
Patrick Djivas: bass
Mauro Pagani: violin, flute
Bernardo Lanzetti: lead vocals, guitar

Beat The Apartheid Festival
01 African
02 Coming In Hot
03 Don’t Look Back
04 Rock With Me ?
05 Mystic Man
06 I’m The Toughest
07 Bush Doctor
08 Equal Rights
09 Get Up, Stand Up

Secret World Tour

Across the River
I Have the Touch
Not One of Us
The Family and the Fishing Net
Shock the Monkey
Family Snapshot
Intruder
Humdrum
Games Without Frontiers
Lay Your Hands on Me
Solsbury Hill
I Don’t Remember
San Jacinto
On the Air (audience recording)
Biko (audience recording)
Band Introduction (audience recording)

CD ONE
CD TWO

EARLY and LATE SHOWS (special guest ROBERT FRIPP)
EARLY SHOW
CD1
Me And My Teddy Bear 03:49
Introduction Music 02:33
On The Air (Technical Problems) 04:33
Moribund The Burgermeister 05:48
Perspective 04:01
Indigo 04:42
A Wonderful Day In A One Way World 04:18
White Shadow 05:14
D.I.Y. (Technical Problems) 04:01
Waiting For The Big One 06:32
Mother Of Violence 06:24
Slowburn / Flotsam and Jetsam 09:45
I Don’t Remember 04:13
CD2
Solsbury Hill 05:20
Modern Love (Featuring Robert Fripp) 07:30
All Day And All Of The Night (Featuring Robert Fripp) 05:34
Here Comes The Flood 04:00
The Lamb Lies Down On Broadway 06:02
LATE SHOW
Me And My Teddy Bear 03:52
On Presuming To Be Modern I 02:56
On The Air 04:31
Moribund The Burgermeister 04:52
Perspective 03:55
Hum Drum 04:47
A Wonderful Day In A One Way World 04:24
Home Sweet Home 06:17
CD3
D.I.Y. 04:24
Waiting For The Big One 06:22
White Shadow 06:28
Mother Of Violence 03:55
Slowburn 05:39
Flotsam And Jetsam 04:35
I Don’t Remember 05:15
16 Solsbury Hill 04:53
Modern Love (Featuring Robert Fripp) 07:41
All Day And All Of The Night (Featuring Robert Fripp) 06:08
Here Comes The Flood 03:54
The Lamb Lies Down On Broadway (Incomplete) 01:28
Timmy Capello – saxophone, keyboards
Larry Fast – synthesizers
Peter Gabriel – vocals, piano
Tony Levin – bass, Chapman stick, backing vocals
Sid McGuinness – guitar, backing vocals
Jerry Marotta – drums
Guest: Robert Fripp – guitar

It was March of 1975 when Peter Frampton strolled into the Record Plant is Sausalito to record what would become a live solo album. It wasn’t originally intended as anything more than a radio show, a thank-you to KSAN and the rock fans of San Francisco, both of whom had made the Bay Area Frampton’s biggest market. After leaving Humble Pie, Frampton had a respectable career as a solo artist, but his name was far from being a household word. That would all change in a few months. For this set, Frampton drew from under-exposed material scattered across his four solo albums, songs that he and his band had honed into razor-sharp performances over years of incessant touring. They later became staples of virtually every rock station in America: “Do You Feel Like We Do.” “Baby I Love Your Way.” “(I’ll Give You) Money.” Frampton was accompanied by Bob Mayo, Andy Bown, and John Siomos, three-quarters of band that would propel Frampton Comes Alive to the top of the charts (Andy Bown was replaced by Stanley Sheldon). The performances captured at the Record Plant on that March day have an intimacy that wasn’t replicated on Comes Alive for obvious reasons, but they absolutely have that same electric energy. Peter Frampton’s golden era may not have lasted as long as one might have hoped; they never do. This long-lost session is a glorious relic of the brief shining moment just as the rollercoaster was about to take Frampton on a ride he could never have imagined. Longtime Bay Area critic Joel Selvin contributed notes to this record, and the release was remastered from the original master tapes by Suha Gur in 2004. Frampton himself has been involved in every phase of the project, and is as ebullient over the record’s release as we are.